"Aquashow", Elliott Murphy's debut album
was released on Polydor in november 1973. Outstanding critical
response was immediate and feature stories appeared in Rolling
Stone, Newsweek, The New Yorker and elsewhere.
His music received prominent coverage on TV and Radio as he was
crowned the new Dylan, the new Lou Reed and
the F. Scott Fitzgerald of Rock'n roll. But as with so many
new and genuine artists the media missed the point of Elliott
Murphy was not the new anybody. What he was - and has remained
for over twenty-five years - is an original songwriter, a compelling
singer a talented guitarist; a dedicated touring musician who
has rermained true to his own unique musical vision through 17
albums.
The now classic Lost Generation and Night
Lights followed on RCA in 1975 and 1976 and Just
a story from America for Columbia in 1977. In 1980 Murphy
released the six-song E.P. Affairs on his own label
and began touring regularly in Europe. "I didn't know
anyone knew I was there, " he says in retrospect, "until
I played my first concert in Paris and I got six encores."
More albums followed : Murph the Surf (1982), Party
Girls/Broken Poets (1984-nominated for a New York Music
Award) and in 1986 the stunning Milwaukee produced
by ex-Talking Heads, Jerry Harrison, followed-up by Change
will come and a long awaited live album : Hot Point
with special guest Chris Spedding on lead guitar in 1989. Following
his move to Paris in 1990, Murphy released the intensely personnal
twenty-four song CD " 12 " (released
in the US under the title Unreal City). Interest in his
earlier work was rekindled and three best-of anthologies have
appeared, Paris/New York, Diamonds by the
Yard and recently Going through something
(78-92). 1995's Selling the Gold saw Murphy with
an impressive new team of musicians : Andy Newmark (Roxy Music)
on drums, Chucho Mercha (Eurythmics) on bass, Luis Jardim
(Rolling Stones) on percussion and special guests including
Bruce Springsteen and The Violent Femmes.
Beauregard (1998) marks a return to a more intimate
acoustic sound featuring a tight combo of acoustic guitars, bass,
mandolin, violin and drums. It is perhaps his most provocative
and lyrical album to date as story-songs such as Sonny,
Small Room and Somebodies Anniversary as well as
the radio-friendly Hard-Core demonstrate so well. "Literature
is my religion, " Murphy stated on a recent TV show,
"but Rock'n Roll is my addiction". The sonic
clarity of the album which utilized the state of the art HDCD
mastering process finely focuses Murphy's incredibly expressive
voice which has only gained in character, depth and nuance with
the passage of time. Both the long time fan as well as the newcomer
to the world of Elliott Murphy will appreciate Beauregard
as an intense many layered work which deserves and will surely
receive repeated listenings.
2000 : A new album is released to celebrate the millenium ! A
brilliant live album called "APRIL" ! And you'll realise
that (even if Murphy is not a household name and may never be
one), that he's above all an inspired artist whose music has
continued to evolve, change and grow for the past twenty years.
2002 : With the double release, "SOUL SURFING + RAINY SEASON",
Elliott prooves that his songs have classic vertues and a tasteful
simplicity that suits them perfectly.
2003 : The critically acclaimed "Soul Surfing"
and "Rainy Season" albums were going to be hard acts
to follow, but Elliott has done just that with "THE NEXT
WAVE" EP. This new release features just five cuts, but
is not short on music in either minutes or talented execution.
The CD opens with "Ground Zero", a moving and intimate
tribute to the victims of September 11, 2001. Because the memories
are everywhere we look, its necessary to share our emotions just
to tame them... Elliott opened up his heart and made a song for
the healing of that pretty bad collective wound. Raw emotive
blues and burning lyrics just hit like a punch to the gut. There
is an unbelievably great reworking of the Mick Jagger song "Evening
Gown". Elliott's version is darker and the guitar playing
captures the original flavor of the song. "Bilbao Bo Diddley"
is an upbeat, smooth-yet-rock'n'roll hot track... And is definitely
all Elliott Murphy !!! Bob Dylan's, "If You See Her, Say
Hello" is such a powerful rendition, Elliott's amazing vocals,
combined with the haunting guitar arrangement, strike a disturbing
chord. Again... it's powerful, commanding music. Closing down
the session is the ballad "It's A Long Way Home... Benjamin":
Elliott's vocal intensity reaches out to grab you emotionally,
while the delicate and deliberate guitar action equally soothes
and excites. This record is filled with emotion ! Elliott takes
the listener through a musical journey from sadness and pain
to a lighter, brighter world with tenderness and hope. Once it
all finishes you may need to go and lie down a bit to recover.
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